The film is based on the mutiny of Russian sailors against their tyrannical superiors aboard the battleship Potemkin during the Revolution of Their victory was short-lived, however, as during their attempts to get the population of Odessa now in Ukraine to launch a massive revolution, Cossacks arrived and laid waste to the insurgents, thus fanning the winds of war that would ultimately lead to the rise of communism in the Revolution of Although agitational to the core, Battleship Potemkin is a work of extraordinary pictorial beauty and great elegance of form. It is symmetrically broken into five movements or acts. It is unquestionably the most famous sequence of its kind in film history, and Eisenstein displays his legendary ability to convey large-scale action scenes. Eisenstein believed that meaning in motion pictures is generated by the collision of opposing shots.
Thesis antithesis synthesis eisenstein
DMS Grading Rubric: Montage Eisenstein October Film, Essay Download Sample
Eisenstein is an important and prominent figure in the cinematic community. He was one of the first astounding narrative filmmaker and is recognized specifically for introducing the montage. Eisenstein emphasizes the importance of the lighting, color, and structure within a single shot, which can then correlate to the significance of the storyline. Eisenstein believed that art always incorporated conflict. October, the film we watched in class, portrayed the conflicts the population was facing during the time period, which paralleled with the conflicts which were captured on the screen through his shots and editing strategies. The reading of Eisenstein emphasized his view that each aspect of a montage is abstract and different. Eisenstein rejects the idea of linear editing.
The Film Theories of Eisenstein & Bazin
To browse Academia. Skip to main content. Log In Sign Up. Download Free PDF. Suphi Keskin.
In the Odessa Steps sequence a crowd of friendly citizens has gathered on the steps leading down to the port of Odessa to celebrate the victory of the mutinous sailors over the Czarist officers on the battleship Potemkin , which is now waving the red flag of revolution offshore. Suddenly, from out of nowhere, lines of government soldiers appear at the top of the steps, and begin firing into the crowd. The action of this scene alone is an attraction or spectacle. As filmmakers have always known, violent images have an irresistible attraction for spectators, for the same reason that people find it hard not to look when driving by a highway disaster. But Eisenstein's choice to stage a massacre on the Odessa Steps, combined with his revolutionary editing techniques, resulted in an un-.